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https://w.atwiki.jp/touhoukashi/pages/961.html
【登録タグ SYNC.ART'S む 天戸屋成 曲 無何有の郷 ～ Deep Mountain 絢爛華麗】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3417.html
【登録タグ A-One Mortimer N TOHO EUROBEAT VOL.20 秘封ナイトメアダイアリー 悪夢日記 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/chiita/pages/659.html
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html TOP 2008年11月現在、WEBブラウザはモダンブラウザ系へ移行しつつあります。 IE6、IE7、IE8β FFOX3 Opera9.6 Sfari3 Lunascape5 GoogleChrome まだ個人や企業での利用が多いIE6は標準モードも互換モードもモダンブラウザ系と実装が異なる部分があります。ショップモールの件もあるので、まだしばらく互換モードメインで作成したほうが良いだろうと考えていましたが、IE7とIE6の互換モードが完全に同じではないということみたいなので、XHTML記述に方針変更しました。 ?xml version="1.0" encoding="UTF-8" standalone="no"? !DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http //www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd" html xmlns="http //www.w3.org/1999/xhtml" xml lang="ja" lang="ja" IE6のみ互換モード。 ●参考サイト XML宣言 DOCTYPE宣言とレタリングモード表 「Internet Explorer6.0、7.0」におけるDOCTYPE 宣言・XML 宣言と互換モード・標準モードとの関係 DOCTYPE スイッチについての検証とまとめと一覧表 ●IE7の互換モードがIE6の互換モードと違うらしい ネストしたa hoverの扱いが違う？ Cross Browser Multi-Page Photograph Gallery IE7の互換モードで表示するとサムネイルにhoverした時に上位のhoverが解除されるようです。 【メモ】 フレームセット 7. フレーム フレームセットまるごと中央寄せしたい場合は、トップのフレームセットを縦３分割し、真ん中に中央寄せしたいフレームセットを入れる。 センタリングはできるけど、真ん中のフレームにスクロールバーがつく。（仕様） 回避するには、フレームセットをiframeに入れて、iframeの高さを調整するらしい。（未確認） CSSでw
https://w.atwiki.jp/mrfrtech/pages/73.html
Overview The global 5G Chipset Industry share is set to cross USD 9.22 billion, with a 41.2% CAGR during the forecast period of 2020 to 2027. Market Research Future (MRFR) marks growing automation, use of IoT, expansion in data center network, hike in bandwidth, advanced antenna technology, participation from mobile operators, machine to machine communication, and others as the major traction providers. Segmentation The global 5G chipset market, as discussed by MRFR analysts, has been studied on the basis of a segmentation that includes the product, operational frequency, type, and verticals. By type, the market includes radio frequency integrated circuit (RFIC), cellular integrated circuit, application-specific integrated circuit (ASIC), and millimeter-wave integrated circuit. By operational frequency, the market comprises 26–39 GHz, below 6 GHz, and 39 and above GHz. By product, the market encompasses customer premise equipment and network infrastructure equipment. By vertical, the market discusses IT telecommunication, retail, government, automotive transportation, healthcare, industrial, energy utilities, and others. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7148 Regional Analysis Structural benefit, investment scope, and the presence of major players are expected to put North America and Europe in advantageous positions. Asia Pacific would also gain from the booming electronics industry and growing incorporation of automation and IoT. Competitive Landscape The global market for 5G chipset is set to profit from the strategic moves of companies like Intel Corporation (US), Nokia Oyj (Finland), Qualcomm Inc (US), Xilinx Inc (US), IBM Corporation (US), Samsung Electronics Co Ltd (South Korea), Integrated Device Technology Inc (US), Qorvo Inc (US), Infineon Technologies AG (Germany), Broadcom Inc (US), Anokiwave (US), Analog Devices Inc (US), MACOM Technology Solutions Holdings Inc (US), Huawei Technologies Co., Ltd (China), Telefonaktiebolaget LM Ericsson Class B (Sweden), Cavium Inc (US), KT Corp (South Korea), ZTE Corporation (China), Hewlett Packard Enterprise Co (US), Fujitsu Ltd (Japan), and others. Industry News In September 2020, Samsung inked a deal with Qualcomm to produce the latter’s next-generation 5G mobile chipsets using the latest technology of the 5nm process. The deal has a valuation of around $844 million and will be the first time when Samsung will be producing chips for Qualcomm. The first one of this series will be Snapdragon 875. At present, Samsung produces 8nm devices for Qualcomm. But this deal ensures an advantageous position for Samsung from where it can take forward its TSMC technology. Samsung is also in talks with Intel to produce chips for the latter’s fabrication process. In September 2020, MediaTek declared that its 5G smartphone chip, the Dimensity 1000C, had hit the market in the United States. The Dimensity 1000C is expected to power LG’s newest device, the LG VELVET, on T-Mobile’s nationwide 5G network. It will deliver advanced AI capabilities, better display features, fast connectivity, and enhanced multimedia capabilities that would improve the user experience. The 7nm Dimensity 1000C is known for its super-fast 5G speeds and it helps in expanding the MediaTek’s 5G family of chipsets. The flagship series is also known to deliver full premium 5G experiences for smartphone users. During the CIVID-19 crisis, a lot of industries got hit by the impact of the pandemic, but the telecommunication industry stayed abreast and it found a way out by incorporating latest technologies and creating scope for further integration. It is slated to benefit more from the changing work cultures and business dynamics, which would inspire the expansion of the 5G chipset industry. Get Full Report @ https //www.marketresearchfuture.com/reports/5g-chipset-market-7148 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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Optical Systems Contamination and Degradation II Effects, Measurements, and Control (SPIE Conference Proceedings) SPIE Society of Photo-Optical Instrumentation Engi? Philip T Chen? O. M. Uy? SPIESocietyofPhoto-OpticalInstrumentationEngi? PhilipTChen? O.M.Uy? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Science-Physics-Optics? Subjects-Science-Technology-General&Reference Algorithms and Systems for Optical Information Processing IV 1-2 August, 2000, San Diego, California USA (Proceedings of Spie--the International Society for Optical Engineering, V. 4113.) Society of Photo Optical? Bahram Javidi? Society of Photo-Optical Instrumentation Engineers? Demetri Psaltis? SocietyofPhotoOptical? BahramJavidi? SocietyofPhoto-OpticalInstrumentationEngineers? DemetriPsaltis? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineVision? Subjects-Computers&Internet-ComputerScience-Algorithms-General? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-General Subjects-Science-Mathematics-Applied? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Applications of Digital Image Processing (Applications of Digital Image Processing) SPIE-International Society for Optical Engine? A. G. Tescher? Andrew G. Tescher? SPIE-InternationalSocietyforOpticalEngine? A.G.Tescher? AndrewG.Tescher? ジャンル別? Substores-UnknownASINs-22? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Science-Technology-General&Reference Wavelet Applications in Signal and Image Processing VIII 31 July-4 August 2000, San Diego, USA (Proceedings of Spie--the International Society for Optical Engineering, V. 4119.) Society of Photo Optical? Society of Photo-Optical Instrumentation Engineers? Society for Industrial and Applied Mathematics? Akram Aldroubi? Andrew Laine? Michael A. Unser? SocietyofPhotoOptical? SocietyofPhoto-OpticalInstrumentationEngineers? SocietyforIndustrialandAppliedMathematics? AkramAldroubi? AndrewLaine? MichaelA.Unser? ジャンル別? Substores-UnknownASINs-22? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Applications and Science of Neural Networks, Fuzzy Systems, and Evolutionary Computation III (SPIE Conference Proceedings) SPIE Society of Photo-Optical Instrumentation Engi? Bruno Bosacchi? et al? SPIESocietyofPhoto-OpticalInstrumentationEngi? BrunoBosacchi? etal? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-Technology-General&Reference Airborne Reconnaissance Xxiv (SPIE Conference Proceedings) Society of Photo Optical? Wallace G. Fishell? SocietyofPhotoOptical? WallaceG.Fishell? ジャンル別? Substores-UnknownASINs-22? Subjects-History-Military-Aviation? Subjects-Science-General Subjects-Science-Technology-General&Reference Earth Observing Systems V (SPIE Conference Proceedings) Society of Photo Optical? William L. Barnes? SocietyofPhotoOptical? WilliamL.Barnes? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Instrumentation for UV/Euv Astronomy and Solar Missions SPIE-International Society for Optical Engine? Silvano Fineschi? Clarence M. Korendyke? Oswald H. Siegmund? SPIE-InternationalSocietyforOpticalEngine? SilvanoFineschi? ClarenceM.Korendyke? OswaldH.Siegmund? ジャンル別? Subjects-Outdoors&Nature-Ecology-StarGazing? Subjects-Science-Experiments,Instruments&Measurement-Telescopes? Subjects-Science-Nature&Ecology-StarGazing? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? X-Ray and Gamma Ray Instrumentation for Astronomy XI Proceedings, 2-4 August 2000, San Diego, USA Society of Photo Optical? Kathryn A. Flanagan? Oswald H. W. Siegmund? SocietyofPhotoOptical? KathrynA.Flanagan? OswaldH.W.Siegmund? ジャンル別? Substores-UnknownASINs-22? Subjects-Outdoors&Nature-Ecology-StarGazing? Subjects-Science-Experiments,Instruments&Measurement-Telescopes? Subjects-Science-General Subjects-Science-Nature&Ecology-StarGazing? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? Penetrating Radiation Systems and Applications II SPIE-International Society for Optical Engine? F. Patrick Doty? H. Barber? H. Bradford Barber? SPIE-InternationalSocietyforOpticalEngine? F.PatrickDoty? H.Barber? H.BradfordBarber? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Technology-General&Reference Microwave Remote Sensing of the Atmosphere and Environment II (Spie Proceedings Series,) SPIE-International Society for Optical Engine? Thomas T. Wilheit? Harunobu Masuko? Hiroyuki Wakabayashi? SPIE-InternationalSocietyforOpticalEngine? ThomasT.Wilheit? HarunobuMasuko? HiroyukiWakabayashi? ジャンル別? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Rivers? Subjects-Science-EarthSciences-Weather? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? Remote Sensing of the Ocean and Sea Ice 2000 (Europto Series) SPIE-International Society for Optical Engine? Charles R., Jr. Bostater? Rosalia Santoleri? SPIE-InternationalSocietyforOpticalEngine? CharlesR.,Jr.Bostater? RosaliaSantoleri? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Mathematics-General? Subjects-Science-Nature&Ecology-Oceans&Seas-Oceanography-General? Subjects-Science-Technology-General&Reference Micromaching and Microfabrication Processing Technology, VI (Spie Proceedings Series) Society of Photo Optical? Anna Grazia Mignani? SocietyofPhotoOptical? AnnaGraziaMignani? ジャンル別? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? 14th International Conference on Optical Fiber Technology Society of Photo Optical? Anna Grazia Mignani? SocietyofPhotoOptical? AnnaGraziaMignani? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-General Subjects-Science-Technology-General&Reference 20th Annual Bacus Symposium on Photomask Technology SPIE-International Society for Optical Engine? Brian J. Grenon? Giang T. DAO? SPIE-InternationalSocietyforOpticalEngine? BrianJ.Grenon? GiangT.DAO? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-Technology-General&Reference Process Imaging for Automatic Control SPIE-International Society for Optical Engine? Hugh McCann? David M. Scott? SPIE-InternationalSocietyforOpticalEngine? HughMcCann? DavidM.Scott? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-Technology-General&Reference Mobile Robots XV and Telemanipulator and Telepresence Technologies VII SPIE-International Society for Optical Engine? Howie M. Choset? Douglas W. Gage? Matthew R. Stein? SPIE-InternationalSocietyforOpticalEngine? HowieM.Choset? DouglasW.Gage? MatthewR.Stein? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-Technology-General&Reference Fiber Optic Sensor Technology II 6-8 November 2000 Boston, USA (Spie Proceddings Series, 4204) Society of Photo Optical? Brian Culshaw? James A. Harrington? Michael A. Marcus? Mohammed Saad? SocietyofPhotoOptical? BrianCulshaw? JamesA.Harrington? MichaelA.Marcus? MohammedSaad? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Network Intelligence Internet-Based Manufacturing Papers Presented at Photonics East, Nov. 5-8, 2000, Boston, Ma (Proceedings of Spie--the International Society for Optical Engineering, V. 4208.) Society of Photo Optical? Nina M. Berry? Society of Photo-Optical Instrumentation Engineers? SocietyofPhotoOptical? NinaM.Berry? SocietyofPhoto-OpticalInstrumentationEngineers? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-Technology-General&Reference Multimedia Systems and Applications III SPIE-International Society for Optical Engine? Andrew G. Tescher? Bhaskaran Vasudev? V. Michael Bove? SPIE-InternationalSocietyforOpticalEngine? AndrewG.Tescher? BhaskaranVasudev? V.MichaelBove? ジャンル別? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Internet Quality and Performance and Control of Network Systems (Proceedings Europt Series) SPIE-International Society for Optical Engine? Angela L. Chiu? Frank Huebner-Szabo de Bucs? Robert D. Van Der Mei? SPIE-InternationalSocietyforOpticalEngine? AngelaL.Chiu? FrankHuebner-SzabodeBucs? RobertD.VanDerMei? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Technology-General&Reference Reconfigurable Technology II Fpgas and Reconfigurable Processors Society of Photo Optical? John Schewel? SocietyofPhotoOptical? JohnSchewel? ジャンル別? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Enabling Technologies for Law Enforcement and Security (Progress in Biomedical Optics and Imaging) SPIE-International Society for Optical Engine? Simon K. Bramble? Edward M. Carapezza? Leonid I. Rudin? SPIE-InternationalSocietyforOpticalEngine? SimonK.Bramble? EdwardM.Carapezza? LeonidI.Rudin? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-Technology-General&Reference Helmet Mounted Displays Design Issues for Rotary-Wing Aircraft (SPIE P.) Society of Photo Optical? Clarence E. Rash? SocietyofPhotoOptical? ClarenceE.Rash? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-Optoelectronics? Subjects-Engineering-Aerospace? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Optics-Optoelectronics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Optoelectronics? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Advances in Fluorescence Sensing Technology V (Progress in Biomedical Optics and Imaging,) SPIE-International Society for Optical Engine? Joseph R. Lakowicz? Richard B. Thompson? SPIE-InternationalSocietyforOpticalEngine? JosephR.Lakowicz? RichardB.Thompson? ジャンル別? Substores-UnknownASINs-22? Subjects-Medicine-BasicScience-Physiology? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Mathematics-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience-Physiology? Genomics and Proteomics Technologies (Progress in Biomedical Optics and Imaging,) SPIE-International Society for Optical Engine? Ramesh Raghavachari? Weihong Tan? SPIE-InternationalSocietyforOpticalEngine? RameshRaghavachari? WeihongTan? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Medicine-Specialties-Ophthalmology? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-Medicine-Surgery-Ophthalmology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-Medicine-Specialties-Ophthalmology? Free-Space Laser Communication Technologies Xiii 24-25 January 2001 San Jose, USA (Proceedings of Spie Volume 4272) Society of Photo Optical? G. Stephen Mecherle? SocietyofPhotoOptical? G.StephenMecherle? ジャンル別? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Ultrafast Phenomena in Semiconductors V (Spie Proceedings Series,) SPIE-International Society for Optical Engine? H. X. Jiang? Kong Thon Tsen? Jin-Joo Song? SPIE-InternationalSocietyforOpticalEngine? H.X.Jiang? KongThonTsen? Jin-JooSong? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Science-Physics-General? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-Electricity? Subjects-Science-Technology-General&Reference Physics and Simulation of Optoelectronic Devices IX SPIE-International Society for Optical Engine? Yasuhiko Arakawa? Peter Blood? Marek Osinski? SPIE-InternationalSocietyforOpticalEngine? YasuhikoArakawa? PeterBlood? MarekOsinski? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-Technology-General&Reference Wdm and Photonic Switching Devices for Network Applications II SPIE-International Society for Optical Engine? Ray T. Chen? G. Ferris Lipscomb? SPIE-InternationalSocietyforOpticalEngine? RayT.Chen? G.FerrisLipscomb? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-Technology-General&Reference Flat Panel Display Technology and Display Metrology II (Progress in Biomedical Optics and Imaging,) SPIE-International Society for Optical Engine? Edward F. Kelley? Tolis Voutsas? SPIE-InternationalSocietyforOpticalEngine? EdwardF.Kelley? TolisVoutsas? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Technology-General&Reference Stereoscopic Displays and Virtual Reality Systems VIII SPIE-International Society for Optical Engine? Andrew J. Woods? Mark T. Bolas? John O. Merritt? SPIE-InternationalSocietyforOpticalEngine? AndrewJ.Woods? MarkT.Bolas? JohnO.Merritt? ジャンル別? Substores-UnknownASINs-22? Subjects-Science-Technology-General&Reference Human Vision And Electronic Imaging VI Society of Photo Optical? Bernice E. Rogowitz? SocietyofPhotoOptical? BerniceE.Rogowitz? ジャンル別? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Visual Data Exploration and Analysis VIII SPIE-International Society for Optical Engine? Robert F. Erbacher? Philip C. Chen? Jonathan C. Roberts? SPIE-InternationalSocietyforOpticalEngine? RobertF.Erbacher? PhilipC.Chen? JonathanC.Roberts? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-Technology-General&Reference Videometrics and Optical Methods for 3D Shape Measurement SPIE-International Society for Optical Engine? Sabry F. El-Hakim? Armin Gruen? SPIE-InternationalSocietyforOpticalEngine? SabryF.El-Hakim? ArminGruen? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineVision? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Technology-General&Reference Visual Communications and Image Processing 2001 SPIE-International Society for Optical Engine? Bernd Girod? Charles A. Bouman? Eckehard G. Steinbach? SPIE-InternationalSocietyforOpticalEngine? BerndGirod? CharlesA.Bouman? EckehardG.Steinbach? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-Technology-General&Reference Internet Imaging II SPIE-International Society for Optical Engine? Giordano B. Beretta? Raimondo Schettini? SPIE-InternationalSocietyforOpticalEngine? GiordanoB.Beretta? RaimondoSchettini? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-General? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Technology-General&Reference Multimedia Computing and Networking 2001 SPIE-International Society for Optical Engine? Wu-Chi Feng? Martin G. Kienzle? Thomas J. Watson? SPIE-InternationalSocietyforOpticalEngine? Wu-ChiFeng? MartinG.Kienzle? ThomasJ.Watson? ジャンル別? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Storage and Retrieval for Media Databases 2001 SPIE-International Society for Optical Engine? Minerva M. Yeung? Chung-Sheng Li? Thomas J. Watson? SPIE-InternationalSocietyforOpticalEngine? MinervaM.Yeung? Chung-ShengLi? ThomasJ.Watson? ジャンル別? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Databases-General? Subjects-Science-Technology-General&Reference Computational Models for Predictiong Visual Target Distinctness (Spie Press Monograph, Pm95) Society of Photo Optical? Jose A. Garcia? Joaquin Fdez-Valdivia? Xose R. Fdez-Vidal? Rosa Rodriguez-Sanchez? SocietyofPhotoOptical? JoseA.Garcia? JoaquinFdez-Valdivia? XoseR.Fdez-Vidal? RosaRodriguez-Sanchez? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineVision? Subjects-Engineering-Civil-RemoteSensing? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Civil-RemoteSensing? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Ultrasonic Imaging and Signal Processing (Medical Imaging 2001) SPIE-International Society for Optical Engine? Michael F. Insana? K. Kirk Shung? SPIE-InternationalSocietyforOpticalEngine? MichaelF.Insana? K.KirkShung? ジャンル別? Subjects-Medicine-General? Subjects-Medicine-Specialties-Radiology-General? Subjects-Medicine-AlliedHealthProfessions-Radiologic&UltrasoundTechnology? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-Radiologic&UltrasoundTechnology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Radiology-General? Subjects-Science-Medicine-AlliedHealthProfessions-Radiologic&UltrasoundTechnology? Industrial and Commercial Applications of Smart Structures Technologies (Smart Structures and Materials 2001) SPIE-International Society for Optical Engine? Anna-Maria R. McGowan? SPIE-InternationalSocietyforOpticalEngine? Anna-MariaR.McGowan? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-General&Reference Active Materials Behavior and Mechanics (Smart Structures and Materials 2001) SPIE-International Society for Optical Engine? Christopher S. Lynch? SPIE-InternationalSocietyforOpticalEngine? ChristopherS.Lynch? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-General&Reference Nondestructive Evaluation of Materials and Composites V (Smart Structures and Materials 2001) SPIE-International Society for Optical Engine? George Y. Baaklini? Eric S. Boltz? Steven M. Shepard? SPIE-InternationalSocietyforOpticalEngine? GeorgeY.Baaklini? EricS.Boltz? StevenM.Shepard? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-General&Reference Wave Propagation in the Atmosphere and Adaptive Optics (Smart Structures and Materials 2001) SPIE-International Society for Optical Engine? Vladimir P. Lukin? SPIE-InternationalSocietyforOpticalEngine? VladimirP.Lukin? ジャンル別? Substores-UnknownASINs-63? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Atmospheric and Ocean Optics (Smart Structures and Materials 2001) SPIE-International Society for Optical Engine? Gennadii G. Matvienko? Mikhail V. Panchenko? SPIE-InternationalSocietyforOpticalEngine? GennadiiG.Matvienko? MikhailV.Panchenko? ジャンル別? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Rivers? Subjects-Science-EarthSciences-Weather? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Optical Data Storage 2001 SPIE-International Society for Optical Engine? Terril Hurst? Seiji Kobayashi? SPIE-InternationalSocietyforOpticalEngine? TerrilHurst? SeijiKobayashi? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Computers&Internet-Databases-DataStorage&Management-Storage? Subjects-Medicine-Specialties-Radiology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Radiology-General? Nondestructive Testing and Computer Simulations in Science and Engineering (Smart Structures and Materials 2001) SPIE-International Society for Optical Engine? Alexander I. Melker? SPIE-InternationalSocietyforOpticalEngine? AlexanderI.Melker? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-General&Reference 12th Czech-Slovak-Polish Optical Conference on Wave and Quantum Aspects of Contemporary Optics SPIE-International Society for Optical Engine? Jan Perina? Miroslav Hrabovsky? Jaromir Krepelka? SPIE-InternationalSocietyforOpticalEngine? JanPerina? MiroslavHrabovsky? JaromirKrepelka? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Physics-Light? Subjects-Science-Physics-Light-General? Subjects-Science-Technology-General&Reference Optics of Crystals SPIE-International Society for Optical Engine? Viktor Vasil evich Shepelev? Nikolai N. Egorov? SPIE-InternationalSocietyforOpticalEngine? ViktorVasil evichShepelev? NikolaiN.Egorov? ジャンル別? Substores-UnknownASINs-22? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Chemistry-Crystallography? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Evaluacion Sensorial de Los Alimentos En La Teoria ACRIBIA? Antonio Anzaldua-Morales? ACRIBIA? AntonioAnzaldua-Morales? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference English-Polish Dictionary of Science and Technology/Slownik Naukowo-Techniczny Angielsko-Polski I B D Ltd? Maria Skrzynska? IBDLtd? MariaSkrzynska? ジャンル別? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage-Polish? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-ForeignLanguage-Polish? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Software Engineering APH Publishing Corporation? Pankaj Sharma? APHPublishingCorporation? PankajSharma? ジャンル別? Subjects-Computers&Internet-Software? Subjects-Science-Technology-General&Reference LA Mejor Herramienta Del Milenio Planeta Pub Corp? Witold Rybczynski? PlanetaPubCorp? WitoldRybczynski? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Circuitos Basicos de Neumatica Marcombo? Miguel Carulla? Marcombo? MiguelCarulla? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Toda La Fotografia En Un Solo Libro Omega? Emanuel? Omega? Emanuel? ジャンル別? Substores-UnknownASINs-54? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Science-Technology-General&Reference Automatizacion Neumatica y Electroneumatica Marcombo? Salvador Millan? Marcombo? SalvadorMillan? ジャンル別? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? 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Méditation. Deuxième Tableau (Avant le jour. Sur une place, devant la maison de Thaïs. Sous le portique, au premier plan, une petite statuette d Éros, sur une stèle; devant l image une lampe allumée. La lune éclaire encore la place. Au bas des degrés du portique Athanaël, couché sur le pavé. Au fond, à droite, une maison dans laquelle sont réuni Nicias et ses amis de plaisir. Les fenêtres de cette maison sont éclairées. On entend vaguement une musique de fête. Thaïs paraît; elle prend la lampe qu elle élève au dessus de sa tête pour voir sur la place. Elle descend ainsi les degrés. Elle aperçoit Athanaël, repose la lampe où elle l a prise et revient vers lui.) THAÏS (se penche vers Athanaël, mystérieusement, à voix basse) Père, Dieu m a parlé par ta voix! Me voici! ATHANAËL (qui s est levé, de même, à voix basse) Thaïs, Dieu t attendait! THAÏS (toujours à voix basse; avec humilité) Ta parole est restée en mon coeur comme un baume divin; j ai prié, j ai pleuré! Il s est fait en mon âme une grande lumière; ayant vu le néant de toute volupté, (avec soumission) vers toi je viens ainsi que tu l as commandé. ATHANAËL Va, courage, ô ma soeur! L aube du repos se lève! THAÏS (humblement) Que faut-il faire! ATHANAËL Non loin d ici, vers l occident, il est un monastère où des femmes élues vivent pareilles à des anges dans un parfait recueillement, (bien chanté) pauvres, pour que Jésus les aime, modestes, pour qu il les regarde, chastes, (très expressif) pour qu il les épouse! C est là que je te conduirai. A leur pieuse mère, Albine, je te consacrerai! THAÏS Albine, fille des Césars! ATHANAËL (simplement) Et la servante la plus pure du Christ! (avec mystère) Là, je t enfermerai dans l étroite cellule jusqu au jour où Jésus te viendra délivrer! (avec enthousiasme) Va! N en doute pas! Il viendra lui-même, et quel tressaillement dans la chair de ton âme quand tu sentiras sur tes yeux se poser ses doigts de lumière, (avec âme) afin d en essuyer les pleurs! THAÏS (avec joie) Emmène-moi, mon père! ATHANAËL Oui! (avec autorité, avec violence) Mais, d abord, anéantis ce qui fut l impure Thaïs, ton palais, tes richesses, tout ce qui proclame ta honte! Brûle tout! Anéantis tout! THAÏS (résignée) Père, qu il en soit ainsi. (Elle se dirige vers la maison, puis s arrête avec un sourire devant la petite image d Éros.) Je ne veux rien garder de mon passé, rien... que cela... (prenant et apportant dans ses bras l image qu elle présente à Athanaël) Cette image d ivoire, cet enfant, d un travail antique et merveilleux, c est Éros! (tendre et chaste) C est l amour! Considère, ô mon père, que nous ne le pouvons traite cruellement. L amour est une vertu rare, J ai péché, non par lui, mais plutôt contre lui. Ah! Je ne pleure pas de l avoir eu pour maître, mais d avoir méconnu sa volonté. Il défend (très expressif) qu une femme se donne, à qui ne vient point en son nom, et c est pour cette loi qu il convient qu on l honore. (simplement) Prends-le, pour le placer dans quelque monastère, et ceux qui le verront se tourneront vers Dieu! (sans presser) Car l amour nous élève aux célestes pensées. (simplement) Quand Nicias m aimait, il m offrit cette image. ATHANAËL (avec une explosion de colère) Nicias! Nicias! Ah! maudis la source empoisonnée d où te vient ce présent! Qu il soit anéanti! (Il a saisi la statuette qu il jette violemment sur le pavé où elle se brise. Il en chasse les débris du pied.) Et tout le reste à la flamme, à l abîme! Viens, Thaïs! Que tout ce qui fut toi, retourne à la poussière, à l éternel oubli! THAÏS et ATHANAËL (la tête baissé, toute tremblante) Que tout ce qui fut moi (toi) retourne à la poussière, à l éternel oubli! Viens! Viens! (Ils entrent dans la maison. Quand Thaïs et Athanaël sont sortis, paraissent Nicias et tous les personnages du 2e tableau. Ils descendent joyeusement, en tumulte, de la maison du fond. Nicias les mène, très animé, comme un peu étourdi par l ivresse.) NICIAS (à haute voix, à tous) Suivez-moi tous, amis! La nuit n est pas finie! Venez! Venez! Le jeu m a rendu trente fois le prix dont je payais la beauté de Thaïs! Donc, rejouissons-nous encor! encor! encor! encor! CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS Encor! encor! encor! Evohé! Evohé! NICIAS (à des serviteurs) Appelez les danseuse d Asie, le Psylles et les baladins! (à ses amis) Faisons durer jusqu à l aurore les danses, les jeux et les cris! Allumons des flambeaux! CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS (gaiment) Allumons des flambeaux! Faisons honte au soleil! NICIAS Qu on jette là d épais tapis! A mes côtés, Crobyle, et toi, Myrtale! NICIAS, CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS Evohé! Evohé! NICIAS Rien n est vrai que la vie! Rien n est sage que la folie! BALLET NICIAS (à l apparition de La Charmeuse, à tous) Voilà l Incomparable! (à Crobyle) Prends la lyre, Crobyle, (à Myrtale) et toi prends la cithare Myrtale! Et toutes deux chantez le cantique de la Beauté! (La Charmeuse danse. Crobyle et Myrtale chantent en s accompagnant de leurs instruments tandis que La Charmeuse développe en poses lentes et formule des pas légers jetant à travers le chant des deux esclaves les fusées de sa voix.) CROBYLE et MYRTALE Celle qui vient est plus belle Que la reine de Saba qui dansait sur des miroirs! LA CHARMEUSE (Elle chante.) Ah! (Elle danse.) CROBYLE et MYRTALE Et de l ombre de ses voiles Partent les traits de sa voix Comme des flèches de feu! LA CHARMEUSE (Elle chante.) Ah! (La Charmeuse danse.) CROBYLE et MYRTALE Elle a le teint d ambre pâle. Elle vient aérienne! Comme une idole impassible, Elle va! LA CHARMEUSE (Elle chante.) Ah! (La Charmeuse danse.) CROBYLE et MYRTALE Elle entraîne, elle caresse. Ses regards jettent de chaînes, Ses beaux regards alanguis Qui font les hommes captifs. Sans rien savoir de son pouvoir, Elle entraîne, Elle caresse, Elle a le charme mortel! LA CHARMEUSE (Elle chante.) Ah! CHOEUR Evohé! Evohé! Evohé! Evohé! Evohé! Evohé! (Athanaël, paraît au seuil de la maison une torche allumé à la main.) NICIAS (avec surprise et gaîté) Eh! c est lui! Athanaël! CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS (avec surprise et gaîté) Athanaël! NICIAS CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS (ironiquement) Salut sage des sages! Thaïs à donc désarmé ta raison? Ah! ah! voyez sa face glorieuse! (en riant aux éclats) Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! ATHANAËL (jetant la torche qui s éteint sur le sol, sévère) Ah! taisez-vous! Thaïs est l épouse de Dieu, elle n est plus à vous! La Thaïs infernale est morte à tout jamais, Et la Thaïs nouvelle, la voici! (Paraît Thaïs, les cheveux défaits, vêtue d une tunique de laine. Ses esclaves la suivent attristés, regardant vers la maison d où, dès ce moment, montent de légères fumées que vont bientôt suivre des lueurs d incendie et des flammes selon le mouvement de l action. La foule attirée par les cris et les rires envahit la place progressivement.) ATHANAËL (à Thaïs) Viens, ma soeur, et fuyons à jamais cette ville! NICIAS (1er GROUPE) (Crobyle et Myrtale avec les Soprani, tous s interposant) Jamais! Non! Jamais! Non! L emmener! Que dit-il? Non! Jamais! Non! 2e GROUPE (LES AMIS DE NICIAS) (tous s interposant) L emmener! Que dit-il? Non! Jamais! L emmener! Que dit-il? Non! THAÏS Il dit vrai! NICIAS Thaïs! Tu nous quitterais! Est-ce possible! (Nicias a pris le bras de Thaïs.) ATHANAËL (la lui arrachant) Impie! Crains de mourir, si tu touches à celle-ci! Elle est sa crée! Elle est la part de Dieu! (prenant Thaïs près de lui et voulant s éloigner) Passage! NICIAS ET LA FOULE Non! Non! Non! ATHANAËL Passage! NICIAS ET LA FOULE Non! Que lui veut donc cet homme! Qu il retourne au désert! (un petit groupe menaçant Athanaël) Va-t-en! Cynocéphale! Nous rependre Thaïs! NICIAS (suppliant Thaïs) Thaïs! Ne pars pas! Reste! O Thaïs! Ne part pas! Reste! LA FOULE (1er Groupe) Eh! de qui vivrons-nous! (Les femmes affolées désignant la maison incendiée.) Ah! Mes colliers! Mes bijoux! Eh! qui donc nous paiera Pour qui donc sont les lois! Il nous vole Thaïs! Qu elle reste! Et lui qu on l assomme! Aux corbeaux! Au gibet! A l égout! Aux corbeaux! LA FOULE (2e Groupe) Mes robes! Mes chevaux! Eh! qui donc nous paiera Pour qui donc sont les lois! Il nous vole Thaïs! Qu elle reste! Et lui qu on l assomme! Aux corbeaux! Au gibet! A l égout! Aux corbeaux! LA FOULE (les femmes) La flamme! L incendie! La flamme! La palais brûle! (un homme du peuple) Tiens! satyre, à toi! LA FOULE (jetant une pierre à Athanaël qu il blesse au front) (rires) Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! THAÏS et ATHANAËL (l un près de l autre, debout, très calmes, regardant la foule menaçante. L incendie augmente.) Ah! Mourons, si c est notre heure! Achetons en un instant, une éternelle allégresse au prix de tout notre sang! NICIAS Ah! Par pitié! Reste avec nous! Thaïs! Thaïs! Ne pars pas! Reste avec nous, par pitié! LA FOULE (rires, tous lui jettent des pierres) Ah! (avec effroi) La flamme! L incendie! A mort! Il brûle le palais! L infâme! A mort! A mort! NICIAS (défendant Thaïs contre la foule) Non! Non! Non! (parvenant à s interposer) Arrêtez! Par tous les Dieux! Voilà de quoi vous apaiser! (Nicias a puisé dans son escarcelle et jette l or à poignées. La foule se précipite sur l or qu elle se dispute à grands cris.) LA FOULE De l or! NICIAS (à Athanaël et à Thaïs) Allez! (avec émotion) Adieu, Thaïs! En vain tu m oublieras. Ton souvenir sera le parfum de mon âme! THAÏS (avec âme) Ah! Pour jamais, adieu! NICIAS Pour jamais, adieu! ATHANAËL (entraîne Thaïs) Viens! Et pour jamais! (Nicias jette de nouveau l or. Nouvelles clameurs de la foule. Athanaël et Thaïs s enfuient. Le palais s écroule.) LA FOULE De l or! (La Toile s est baissée rapidement.) Méditation. Deuxième Tableau (Avant le jour. Sur une place, devant la maison de Thaïs. Sous le portique, au premier plan, une petite statuette d Éros, sur une stèle; devant l image une lampe allumée. La lune éclaire encore la place. Au bas des degrés du portique Athanaël, couché sur le pavé. Au fond, à droite, une maison dans laquelle sont réuni Nicias et ses amis de plaisir. Les fenêtres de cette maison sont éclairées. On entend vaguement une musique de fête. Thaïs paraît; elle prend la lampe qu elle élève au dessus de sa tête pour voir sur la place. Elle descend ainsi les degrés. Elle aperçoit Athanaël, repose la lampe où elle l a prise et revient vers lui.) THAÏS (se penche vers Athanaël, mystérieusement, à voix basse) Père, Dieu m a parlé par ta voix! Me voici! ATHANAËL (qui s est levé, de même, à voix basse) Thaïs, Dieu t attendait! THAÏS (toujours à voix basse; avec humilité) Ta parole est restée en mon coeur comme un baume divin; j ai prié, j ai pleuré! Il s est fait en mon âme une grande lumière; ayant vu le néant de toute volupté, (avec soumission) vers toi je viens ainsi que tu l as commandé. ATHANAËL Va, courage, ô ma soeur! L aube du repos se lève! THAÏS (humblement) Que faut-il faire! ATHANAËL Non loin d ici, vers l occident, il est un monastère où des femmes élues vivent pareilles à des anges dans un parfait recueillement, (bien chanté) pauvres, pour que Jésus les aime, modestes, pour qu il les regarde, chastes, (très expressif) pour qu il les épouse! C est là que je te conduirai. A leur pieuse mère, Albine, je te consacrerai! THAÏS Albine, fille des Césars! ATHANAËL (simplement) Et la servante la plus pure du Christ! (avec mystère) Là, je t enfermerai dans l étroite cellule jusqu au jour où Jésus te viendra délivrer! (avec enthousiasme) Va! N en doute pas! Il viendra lui-même, et quel tressaillement dans la chair de ton âme quand tu sentiras sur tes yeux se poser ses doigts de lumière, (avec âme) afin d en essuyer les pleurs! THAÏS (avec joie) Emmène-moi, mon père! ATHANAËL Oui! (avec autorité, avec violence) Mais, d abord, anéantis ce qui fut l impure Thaïs, ton palais, tes richesses, tout ce qui proclame ta honte! Brûle tout! Anéantis tout! THAÏS (résignée) Père, qu il en soit ainsi. (Elle se dirige vers la maison, puis s arrête avec un sourire devant la petite image d Éros.) Je ne veux rien garder de mon passé, rien... que cela... (prenant et apportant dans ses bras l image qu elle présente à Athanaël) Cette image d ivoire, cet enfant, d un travail antique et merveilleux, c est Éros! (tendre et chaste) C est l amour! Considère, ô mon père, que nous ne le pouvons traite cruellement. L amour est une vertu rare, J ai péché, non par lui, mais plutôt contre lui. Ah! Je ne pleure pas de l avoir eu pour maître, mais d avoir méconnu sa volonté. Il défend (très expressif) qu une femme se donne, à qui ne vient point en son nom, et c est pour cette loi qu il convient qu on l honore. (simplement) Prends-le, pour le placer dans quelque monastère, et ceux qui le verront se tourneront vers Dieu! (sans presser) Car l amour nous élève aux célestes pensées. (simplement) Quand Nicias m aimait, il m offrit cette image. ATHANAËL (avec une explosion de colère) Nicias! Nicias! Ah! maudis la source empoisonnée d où te vient ce présent! Qu il soit anéanti! (Il a saisi la statuette qu il jette violemment sur le pavé où elle se brise. Il en chasse les débris du pied.) Et tout le reste à la flamme, à l abîme! Viens, Thaïs! Que tout ce qui fut toi, retourne à la poussière, à l éternel oubli! THAÏS et ATHANAËL (la tête baissé, toute tremblante) Que tout ce qui fut moi (toi) retourne à la poussière, à l éternel oubli! Viens! Viens! (Ils entrent dans la maison. Quand Thaïs et Athanaël sont sortis, paraissent Nicias et tous les personnages du 2e tableau. Ils descendent joyeusement, en tumulte, de la maison du fond. Nicias les mène, très animé, comme un peu étourdi par l ivresse.) NICIAS (à haute voix, à tous) Suivez-moi tous, amis! La nuit n est pas finie! Venez! Venez! Le jeu m a rendu trente fois le prix dont je payais la beauté de Thaïs! Donc, rejouissons-nous encor! encor! encor! encor! CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS Encor! encor! encor! Evohé! Evohé! NICIAS (à des serviteurs) Appelez les danseuse d Asie, le Psylles et les baladins! (à ses amis) Faisons durer jusqu à l aurore les danses, les jeux et les cris! Allumons des flambeaux! CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS (gaiment) Allumons des flambeaux! Faisons honte au soleil! NICIAS Qu on jette là d épais tapis! A mes côtés, Crobyle, et toi, Myrtale! NICIAS, CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS Evohé! Evohé! NICIAS Rien n est vrai que la vie! Rien n est sage que la folie! BALLET NICIAS (à l apparition de La Charmeuse, à tous) Voilà l Incomparable! (à Crobyle) Prends la lyre, Crobyle, (à Myrtale) et toi prends la cithare Myrtale! Et toutes deux chantez le cantique de la Beauté! (La Charmeuse danse. Crobyle et Myrtale chantent en s accompagnant de leurs instruments tandis que La Charmeuse développe en poses lentes et formule des pas légers jetant à travers le chant des deux esclaves les fusées de sa voix.) CROBYLE et MYRTALE Celle qui vient est plus belle Que la reine de Saba qui dansait sur des miroirs! LA CHARMEUSE (Elle chante.) Ah! (Elle danse.) CROBYLE et MYRTALE Et de l ombre de ses voiles Partent les traits de sa voix Comme des flèches de feu! LA CHARMEUSE (Elle chante.) Ah! (La Charmeuse danse.) CROBYLE et MYRTALE Elle a le teint d ambre pâle. Elle vient aérienne! Comme une idole impassible, Elle va! LA CHARMEUSE (Elle chante.) Ah! (La Charmeuse danse.) CROBYLE et MYRTALE Elle entraîne, elle caresse. Ses regards jettent de chaînes, Ses beaux regards alanguis Qui font les hommes captifs. Sans rien savoir de son pouvoir, Elle entraîne, Elle caresse, Elle a le charme mortel! LA CHARMEUSE (Elle chante.) Ah! CHOEUR Evohé! Evohé! Evohé! Evohé! Evohé! Evohé! (Athanaël, paraît au seuil de la maison une torche allumé à la main.) NICIAS (avec surprise et gaîté) Eh! c est lui! Athanaël! CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS (avec surprise et gaîté) Athanaël! NICIAS CROBYLE, MYRTALE, AMIES ET AMIS DE NICIAS (ironiquement) Salut sage des sages! Thaïs à donc désarmé ta raison? Ah! ah! voyez sa face glorieuse! (en riant aux éclats) Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! ATHANAËL (jetant la torche qui s éteint sur le sol, sévère) Ah! taisez-vous! Thaïs est l épouse de Dieu, elle n est plus à vous! La Thaïs infernale est morte à tout jamais, Et la Thaïs nouvelle, la voici! (Paraît Thaïs, les cheveux défaits, vêtue d une tunique de laine. Ses esclaves la suivent attristés, regardant vers la maison d où, dès ce moment, montent de légères fumées que vont bientôt suivre des lueurs d incendie et des flammes selon le mouvement de l action. La foule attirée par les cris et les rires envahit la place progressivement.) ATHANAËL (à Thaïs) Viens, ma soeur, et fuyons à jamais cette ville! NICIAS (1er GROUPE) (Crobyle et Myrtale avec les Soprani, tous s interposant) Jamais! Non! Jamais! Non! L emmener! Que dit-il? Non! Jamais! Non! 2e GROUPE (LES AMIS DE NICIAS) (tous s interposant) L emmener! Que dit-il? Non! Jamais! L emmener! Que dit-il? Non! THAÏS Il dit vrai! NICIAS Thaïs! Tu nous quitterais! Est-ce possible! (Nicias a pris le bras de Thaïs.) ATHANAËL (la lui arrachant) Impie! Crains de mourir, si tu touches à celle-ci! Elle est sa crée! Elle est la part de Dieu! (prenant Thaïs près de lui et voulant s éloigner) Passage! NICIAS ET LA FOULE Non! Non! Non! ATHANAËL Passage! NICIAS ET LA FOULE Non! Que lui veut donc cet homme! Qu il retourne au désert! (un petit groupe menaçant Athanaël) Va-t-en! Cynocéphale! Nous rependre Thaïs! NICIAS (suppliant Thaïs) Thaïs! Ne pars pas! Reste! O Thaïs! Ne part pas! Reste! LA FOULE (1er Groupe) Eh! de qui vivrons-nous! (Les femmes affolées désignant la maison incendiée.) Ah! Mes colliers! Mes bijoux! Eh! qui donc nous paiera Pour qui donc sont les lois! Il nous vole Thaïs! Qu elle reste! Et lui qu on l assomme! Aux corbeaux! Au gibet! A l égout! Aux corbeaux! LA FOULE (2e Groupe) Mes robes! Mes chevaux! Eh! qui donc nous paiera Pour qui donc sont les lois! Il nous vole Thaïs! Qu elle reste! Et lui qu on l assomme! Aux corbeaux! Au gibet! A l égout! Aux corbeaux! LA FOULE (les femmes) La flamme! L incendie! La flamme! La palais brûle! (un homme du peuple) Tiens! satyre, à toi! LA FOULE (jetant une pierre à Athanaël qu il blesse au front) (rires) Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! THAÏS et ATHANAËL (l un près de l autre, debout, très calmes, regardant la foule menaçante. L incendie augmente.) Ah! Mourons, si c est notre heure! Achetons en un instant, une éternelle allégresse au prix de tout notre sang! NICIAS Ah! Par pitié! Reste avec nous! Thaïs! Thaïs! Ne pars pas! Reste avec nous, par pitié! LA FOULE (rires, tous lui jettent des pierres) Ah! (avec effroi) La flamme! L incendie! A mort! Il brûle le palais! L infâme! A mort! A mort! NICIAS (défendant Thaïs contre la foule) Non! Non! Non! (parvenant à s interposer) Arrêtez! Par tous les Dieux! Voilà de quoi vous apaiser! (Nicias a puisé dans son escarcelle et jette l or à poignées. La foule se précipite sur l or qu elle se dispute à grands cris.) LA FOULE De l or! NICIAS (à Athanaël et à Thaïs) Allez! (avec émotion) Adieu, Thaïs! En vain tu m oublieras. Ton souvenir sera le parfum de mon âme! THAÏS (avec âme) Ah! Pour jamais, adieu! NICIAS Pour jamais, adieu! ATHANAËL (entraîne Thaïs) Viens! Et pour jamais! (Nicias jette de nouveau l or. Nouvelles clameurs de la foule. Athanaël et Thaïs s enfuient. Le palais s écroule.) LA FOULE De l or! (La Toile s est baissée rapidement.) Massenet,Jules/Thaïs/III